Aktuellt
Milja Sarkola Seeks Exactitude in Subjectivity – Most Lately in Forget Me
Milja Sarkola’s writing straddles the worlds of a diary’s intimacy and the theatre’s collective format. In Sarkola’s plays, the private is never purely confessional, but instead a device that tests the limits of what can fit on a stage.
60 theatres from Finland read stories by children from Gaza
Today, 60 Finnish theatres read aloud the stories of children from Gaza.
This campaign is a human call for empathy — so that as many people as possible hear the voices of Gaza’s children and take a moment to pause with them.
How Svenska Teatern became the first theatre to perform Astrid Lindgren’s classic, Ronia, the Robber’s Daughter
Astrid Lindgren’s beloved children’s novel, Ronia, the Robber’s Daughter (sw: Ronja Rövardotter) first opened at Svenska Teatern in 1987, bringing the iconic heroine to the stage for the very first time.
Love, doubt, and generational rebellion drive Dritëro’s Hamlet
When staging the world’s most famous play by the greatest playwright in theatre history, you need something to say—both about the play and the present time. This is what director Dritëro Kasapi brings to his reinterpretation of Shakespeare’s Hamlet, premiering on November 7th at Svenska Teatern in Helsinki.