{"id":35099,"date":"2026-03-05T09:41:11","date_gmt":"2026-03-05T06:41:11","guid":{"rendered":"https:\/\/svenskateatern.fi\/?p=35099"},"modified":"2026-06-03T09:50:03","modified_gmt":"2026-06-03T06:50:03","slug":"annamaria-lipponen-directs-nattland-by-marius-von-mayenburg","status":"publish","type":"post","link":"https:\/\/svenskateatern.fi\/en\/annamaria-lipponen-directs-nattland-by-marius-von-mayenburg\/","title":{"rendered":"Anna\u2011Maria Lipponen directs\u00a0Nattland\u00a0by Marius von\u00a0Mayenburg\u00a0"},"content":{"rendered":"
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Director Anna\u2011Maria Lipponen has\u00a0established\u00a0herself over the past decade across Central Europe, the Nordic\u00a0countries\u00a0and the Baltics. Now audiences at\u00a0the Swedish\u00a0Theatrenhave\u00a0the chance to experience her distinctive and inspiring approach as she takes on Marius von Mayenburg\u2019s\u00a0Nattland<\/em>\u00a0\u2014 a new dark comedy with razor\u2011sharp dialogue, brought to life in a cinematic staging.\u00a0The production will be\u00a0surtitled\u00a0in English.\u00a0<\/p>\n\n\n\n

\"En
\u201cNattland\u00a0is a gem,\u201d says Lipponen. Photo: Kasper\u00a0Dalkarl\u00a0<\/figcaption><\/figure>\n\n\n\n


Anna\u2011Maria Lipponen is known for her multilayered, visually striking productions. Throughout her work in Europe, she has explored themes such as freedom,\u00a0power\u00a0and social structures. Recently, she was selected from\u00a0nearly 300\u00a0applicants for the Finnish National Opera\u2019s development programme \u201cSokeritehdas\u00a0\u2013 New Opera Platform.\u201d With\u00a0Nattland<\/em>, she is now introduced to audiences at the Swedish Theatre for the first time.\u00a0<\/p>\n\n\n\n

Why did you want to stage\u00a0Nattland<\/em>?<\/strong>\u00a0<\/strong><\/strong><\/strong><\/h2>\n\n\n\n

\u201cNattland<\/em> was written and premiered in Germany in 2022, but unfortunately it feels even more relevant in Finland today than it did four years ago. It\u2019s a brilliantly written comedy with an important message about prejudice and structural racism. <\/p>\n\n\n\n

\u201cI think it\u2019s important to use theatre as a way to reflect on why our society looks the way it does right now. Even though the story is set in Germany, the same dynamics are clearly present here as well. <\/p>\n\n\n\n

\u201cMayenburg writes with precision. He doesn\u2019t assign blame; instead, he raises questions and highlights issues in a clever and entertaining way. That\u2019s exactly what I want to amplify \u2014 elements that make us question things and see society with fresh eyes.\u201d <\/p>\n\n\n\n

What draws you to German drama, and to Mayenburg in particular<\/strong><\/strong><\/strong>?<\/h2>\n\n\n\n

\u201cGerman drama feels\u00a0very close\u00a0to Finnish society, and\u00a0Nattland\u00a0is a real gem. The text plays with roles in a way that makes for truly compelling theatre.\u00a0I\u2019ve\u00a0seen several of\u00a0Mayenburg\u2019s\u00a0productions at\u00a0Schaub\u00fchne\u00a0in Berlin. His writing is incredibly sharp, full of keen observations about society. At its core,\u00a0it\u2019s\u00a0about ordinary people.\u201d\u00a0<\/em><\/p>\n\n\n\n

What do you hope the audience will reflect on after seeing the performance?<\/strong><\/strong><\/strong><\/strong><\/h2>\n\n\n\n

\u201cI hope, above all, that audiences experience great theatre and have a good laugh \u2014 and hopefully leave with something to think about. I want to create a visually engaging production that reflects our society from a fresh perspective. Personally, I\u2019ve always enjoyed and laughed when watching Mayenburg\u2019s plays in Germany. <\/p>\n\n\n\n

\u201cWhen people take themselves completely seriously and refuse to give way, something often becomes unintentionally comic. That insight forms the basis of\u00a0Mayenburg\u2019s\u00a0comedy, and it also shapes the actors\u2019 work in this production. The\u00a0humour\u00a0here\u00a0doesn\u2019t\u00a0come from cheap jokes, but from the characters\u2019 uncompromising nature and their attempts to push beyond their comfort zones.\u201d\u00a0<\/p>\n\n\n\t\t\t\t<\/main>\n\t\t\t<\/div>\n\t\t<\/div>\n\n\t\t\n\t<\/div>\n<\/section>\n\n\n\n

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Nattland<\/h2>\n\n\n\n

A black comedy by Marius von\u00a0Mayenburg<\/strong>\u00a0<\/p>\n\n\n\n

While emptying their father\u2019s house, siblings Nicola and Philipp come across a painting from 1920s\u2019 Vienna, which appears innocuous \u2013 until they spot the signature. Suddenly they find themselves embroiled in an absurd dispute over money, prestige, and an inheritance no one wants.<\/p>\n\n\n\n

Nattland is a razor-sharp, pitch-black comedy in which history chases present and truth always has a price. With a fast pace, fiery dialogue and unexpected twists, playwright Marius von Mayenburg ramps up both laughter and discomfort until everything reaches a breaking point. Mayenburg once again demonstrates a masterful ability to fuse dark humour with psychological precision.<\/p>\n\n\n\n

buy tickets and read about the play<\/a><\/div>\n\n\n <\/main>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n\n\n","protected":false},"excerpt":{"rendered":"

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